A thug on the Lamb’s Ears

I walk through our local community garden (The Leechwell Garden) most days in summer just to have a look at the flowers and insects but I know that, if I am there late morning, the sound of children playing will brighten the air.  The older children, sometimes along with mum or dad reliving their youth, will be enjoying the fine new play area with its exciting slide.  The younger ones may be messing about on the watery edge of the stream that passes through the garden but it is the sand pit that really hits the spot.   Children love playing in the sand and I often see several family groups clustered about the sand pit; the only thing that seems to deter the children is heavy rain.  It’s a real tribute to the vision of the garden committee that they created something so popular.

Pair of wool carder bees
Male (left) and female wool-carder bees having a rest. One leaf has been well “carded”.

 

The flowers I come to see are across the other side of the garden and, for the past few weeks, I have been loitering near the old stone wall where there’s a large patch of the plant Lamb’s Ear (Stachys byzantina).  It covers the ground with a jumble of silvery-green, velvety leaves and sends up stout, silvery stems bearing clutches of smaller leaves and understated pink-purple flowers.  It’s a pleasant, restful sort of plant creating an old-style, cottage garden feeling but what goes on around these Lamb’s Ears in midsummer is far from restful.

From the middle of June, a dark, chunky bee can be seen patrolling the patch of silvery-green leaves and I spend more time than I should watching him.  Whereas most bees are gentle creatures keeping themselves to themselves, this one is a bit of a thug, oozing anger and aggression.  He is the male wool-carder bee (Anthidium manicatum), mostly black but with yellow markings along the sides of his abdomen, head and legs, reminiscent of the warpaint worn by native American tribes.  He is about the same length as a honeybee but much broader making him quite imposing as he moves quickly about the patch of Lamb’s Ear.  His movement is distinctive, he hovers then moves rapidly to a new spot, hovers, moves, all the time buzzing noisily.  It feels like he is looking for something.  And that’s exactly what he is doing, looking.  Should he spot another male wool-carder bee or a different insect on his patch, he will chase it away by flying directly at it.  I have seen him attack a bumblebee at least twice his size and knock it to the ground.  But, not only is he aggressive, he is armed; the rear of his abdomen sports five stout spines which he will use to injure or kill the intruding insects and there are reports of male wool-carder bees disabling honeybees who dared to feed from their patch.

All this aggressive energy is directed towards protecting the patch of Lamb’s Ear for himself and his harem, for now and then a female wool-carder bee will appear.  She looks very like the male, only a bit smaller; the wool-carder bee is one of the only species in this country where the male bee is larger than the female.  When the male sees her feeding from the flowers he will pounce and, without any preliminaries, mating will ensue. This is a vigorous but brief activity sometimes causing the flower stem to vibrate before the two disengage and go about their business again.  Unlike most solitary bees, where females mate once, wool-carder females undergo multiple matings so that, after a short time, our male will mate with the same female again and should a different female appear he will attempt to mate with her.  One valiant observer went to the trouble of watching an individual male wool-carder in his garden and reported that the bee mated sixteen times in one day.

This focus on the aggressive behaviour of the male wool-carder bee tends to obscure the fact that it is the female that does all the hard work of nest building and egg laying.  The wool-carder bee is a solitary species so that individual mated females build their nests alone, unlike the more familiar social honeybees and bumblebees.  Nesting occurs in preformed aerial cavities in dead wood, in walls or in hollow stems, including the tubes found in bee hotels.  Once she has identified a suitable site, the female strips or “cards” woolly fibrous material from plant leaves with her mandibles (hence the name wool-carder) and takes it back to her nest to line and plug the cavity (see the pictures below).  Lamb’s Ear leaves are a popular choice for “carding” but Great Mullein or Yarrow can also be used.  If you look carefully at the leaves of these plants you can sometimes see bare areas where she has been actively collecting fibres.  Within the nest, she lays eggs and equips them with a mixture of nectar and pollen.  The eggs develop in the nest where they stay until new bees emerge next summer and the whole cycle begins again.

So, if you have a patch of Lamb’s Ear in your garden take a look, there’s a good chance that wool-carder bees will be using it and you too can be enthralled by their antics.

Male wool carder bee
Male wool-carder bee – look at his spines.

 

Male wool carder bee in flight
Male wool-carder bee in flight

 

Anthidium manicatum mating pair
Wool-carder bee – mating pair

 

Wool carder bee collecting fibres
Female wool-carder bee collecting fibres

 

Wool carder bee gathering fibres together
Leaning back gathering fibres together

 

Wool carder bee flying off with fibres
Female wool-carder bee in flight with ball of fibres

 

Possible female anthidium
Female wool-carder bee

 

Male wool carder bee showing spines
Male wool-carder bee

 

Bumblebee on Lamb's Ear
A brave bumblebee feeding from the lamb’s ears

 

High on Hardown Hill

It was a luminous spring morning in early May when I trekked up Hardown Hill in west Dorset in the south west of the UK. Hardown rises steeply above Morcombelake and the surrounding countryside affording fine views of the coast and of the Marshwood Vale. Compared with its well-known cousin, Golden Cap, across the valley (see picture above), this flat-topped hill is unjustly ignored but its heathland summit boasts a rich ecology supporting several rare species and, for many years, Hardown Hill was a busy semi-industrial site where building stone was mined.

Heathland track on Hardown Hill small
Heathland track across Hardown Hill

It’s a steep climb to the top of Hardown Hill but finally the stony track flattens out and I enter a heathland landscape, rare in this part of Dorset. The summit is broad and flat and typical low-growing heathland plants such as gorse and several species of heather flourish here on the acid soil. Pale sandy tracks cut swathes across the heath but, even on a sunny morning in springtime, the feeling is sombre, dominated by dark browns and greens. A few mature birch trees and a small copse of pine trees provide relief and I come across a pond surrounded by tall clumps of pale, dried grass and a struggling sallow. This heath habitat is also the home of rare nightjars, sand lizards and Dartford warblers.

Standing on the Hardown summit is an elemental experience. Today, a moderate wind blows from the west, rising and falling like the sound of surf on the strand. The heath vegetation rustles and fidgets in response, accompanied by skylarks trilling high overhead. I watch a spirited storm tracking across Lyme Bay and prepare to shelter but, in the end, it mostly avoids the land leaving the sun to return. All of this is overlaid on the southern side by the ebb and flow of traffic noise from the busy A35 some distance below.

The heath may look uninviting and barren, but this is springtime and there are many signs of renewal. A few clumps of yellow gorse stand out above fresh grey-green growth and heathers push feathery green and red shoots upwards. Submerged in the thick heath vegetation are the small bright blue and white flowers of heath milkwort piercing the darkness like stars in the night sky. In the past, the flowers were thought to resemble small udders and this may account for the plant’s name as well as its administration to nursing mothers by medieval herbalists. Along path edges on the northern side of the heath, I find several generous clumps of a shrub with pale fleshy leaves, green with a tinge of pink. This is bilberry, covered at this time of year with delicate, almost transparent, pale red, lantern-shaped flowers looking out of place in this harsh environment but proving popular with bumblebees and hoverflies. Late summer will see the plants covered with succulent black fruits.

I encounter only one other person on the heath but it hasn’t always been such a quiet place. From medieval times, Hardown Hill would have resounded to the clash of picks and shovels wielded by men mining the landscape for building materials. Beneath the thin layer of soil that covers the summit, there are layers of clay and a yellow/brown sandy material containing substantial lumps of flint-like, hard rock, the chert cobs. A mixture of clay, stone and sand was taken for road construction and the chert cobs were used for building. Mining occurred on the southern slopes of the Hill, either in open pits or in adits (mine shafts) cut into the hillside. Nowadays there are few traces of this busy activity. The mining area has mostly been colonised by rough grass and bracken, brightened today by a haze of bluebells.  One open pit has been preserved near the top of Love’s Lane displaying the layers of rock and the chert cobs. The adits are inaccessible for safety reasons but one serves an important role as a hibernation area for the rare lesser horseshoe bat.

The chert cobs were split using a small hammer on a long handle, the Hardown hammer. Cobs were held on an iron bar with three claws and covered in damp hessian to protect the eyes of workmen who also wore wire goggles. Split cobs were used to provide a tough outer surface, silvery-blue or yellowish, on domestic and farm buildings around the Marshwood Vale. Good examples of the use of Hardown chert can also be found on the 14th century abandoned chapel at Stanton St Gabriel beneath Golden Cap and on the tiny 19th century church at Catherston Leweston.

But it is to the height of Hardown Hill that I want to return. Its prominence above the surrounding countryside gives spectacular views with new perspectives on some of west Dorset’s notable landmarks. Looking southwards, we see Golden Cap and the darkly-wooded Langdon Hill rising steeply across the valley with a backdrop of the waters of Lyme Bay (see picture at the top of this post). Towards the east, Portland floats unsettlingly as if cast adrift. To the north, especially from Hardown’s rough grassy flanks, we look across the patchwork of fields and the ring of hills that make up the Marshwood Vale with the village of Whitchurch Canonicorum cradled in its green embrace. New perspectives challenge us to think differently and the relative isolation of Hardown fosters quiet contemplation away from the cares of everyday life.

Perhaps that’s what Thomas Hardy meant when he wrote in his poem “Wessex Heights”:
“There are some heights in Wessex, shaped as if by a kindly hand
For thinking, dreaming, dying on, ………….”

Marshwood Vale and the village of Whitchurch Canonicorum, from Hardown Hill
Marshwood Vale and Whitchurch Canonicorum from Hardown Hill

 

Bilberry on Hardown Hill
Bilberry on Hardown Hill

 

Heath Milkwort on Hardown Hill
Heath Milkwort on Hardown Hill

 

Orange-tailed mining bee (A. haemorrhoa)
Orange-tailed mining bee (A. haemorrhoa) on Hardown Hill

 

Exposed chert on Hardwon Hill
Exposed chert seam on Hardown Hill

 

Hardown Chert on Catherston Leweston Church
Hardown Chert on Catherston Leweston Church

This piece was originally publsihed in the July 2018 edition of the Marshwood Vale Magazine.

A midsummer’s day surprise

Last week we saw this beautiful and surprising creature, a hummingbird-hawk moth, feeding from the red valerian that grows so profusely in Totnes.

Here are two more photos I managed before it flew away.

moth 4

moth 3

The wing span is about 5cm to give some scale.  These day flying moths come into the UK from southern Europe in the summer.

Seeing this insect was all the more surprising as I have recently had several conversations with people about how few moths they see nowadays and that is my experience as well. If you want to read about the general decline of insects in the UK here is an interesting article from the Observer.

Nurdle hunting in west Dorset

Charmouth Beach
Charmouth beaching looking towards Golden Cap

 

You may have never knowingly encountered a nurdle but these small plastic pellets are the raw material of the plastics industry and are ferried around the world in their millions.  About the size of a small pea, nurdles come in many colours and they’re finding their way on to our beaches, killing wildlife and polluting the environment.  I wanted to find out more about these unwelcome intruders, so I joined a nurdle hunt organised by the Charmouth Heritage Coast Centre.

Hunting for nurdles 2
Nurdle hunters getting down to work.

 

Charmouth beach was surprisingly busy that morning but it was half term and, for mid-February, quite warm in the low sunshine.  Many people were walking by the sea, taking advantage of the mild weather, perhaps hoping to find a fossil, but an expectant crowd had also gathered by the steps to the Heritage Coast Centre.  At precisely midday, Sophie Thomas, one of the Centre wardens, walked down the steps together with local volunteer Eden Thomson and gathered us together.   Sophie began by explaining what nurdles were and how they washed up on the beach from the sea.  She emphasised the dangers these plastic pellets pose to wildlife such as birds and fish who mistake them for food.  Each of us was given a pair of disposable gloves, to guard against toxic chemicals contained in the nurdles, and an empty margarine pot for nurdle collecting.  Then off we went, about thirty of us, to hunt among debris washed up on the west bank of the river Char between the two beach car parks.

And what a fine sight we were! Young and old, locals and visitors, families and children, sitting or lying on the ground, enthusiastically scouring the debris for the plastic pellets.  It was a fascinating event, although we did get some funny looks.  Everyone found pellets in large numbers, not just on the surface but also buried a few centimetres down showing how pervasive they are.  Some were smooth, grey and cylindrical and a few were lentil shaped, white, yellow or green.  The vast majority, however, were bright blue cylindrical pellets, about 5mm in size, with fine ridges. The grand total for the group was 6650 pellets collected in 90 mins from this small section of beach, highlighting the extent of the contamination.

What do we know about nurdles and how they get into the sea to wash up on our beaches? These small plastic pellets are made from oil or natural gas to provide an easily transportable raw material for use in plastics factories all around the world.  Most of the plastic products that now dominate our lives are made from nurdles and huge numbers of the pellets are transported by ship, so there is always the potential for spills.  In October 2017, two containers of nurdles fell from a ship in the port of Durban leading to massive nurdle pollution along more than 1000km of beaches.    Closer to home, the storm-damaged container ship, Napoli was beached off Branscombe early in 2007 leading to hundreds of containers breaking free.  Two containers were filled with nurdles which washed up along many local beaches. These environmental disasters have been likened to oil spills, only worse as the nurdles do not break down.

Nurdles can also end up in the sea through careless handling at plastics factories.  The environmental charity, Surfers Against Sewage, visited several plastics companies in Cornwall and found nurdles littered around the sites.  These will inevitably be blown or washed into drains and into the sea.  Another kind of plastic pellet, wrinkly or ridged, has been found in large numbers on beaches in Cornwall by Rame Peninsula Beach Care.  These are biobeads, easily confused with nurdles but with a completely different purpose.  Some sewage works use biobeads as part of the wastewater treatment process and the pellets get into the sea through careless handling by water companies.

Why should we be concerned about nurdles and biobeads?  They are a totally unnecessary form of pollution in our seas and on our beaches and their presence shows a lack of respect for the environment.  They are now found all over the world wherever the sea meets the land: on beaches in industrialised countries or on isolated, sparsely populated islands.   Not only do they pollute our beaches, they are eaten by seabirds and fish who mistake them for food.  Once consumed, they block the digestive tract, lodge in the windpipe or fill the stomach leading to malnutrition and starvation.   For example, analysis of dead puffins on the Isle of May in Scotland, home to one of the UK’s largest breeding populations of these birds, showed they had consumed nurdles alongside their usual diet of sand eels.

Nurdles are also a source of toxic chemicals that may exacerbate their physical effects.  Freshly spilt nurdles may release chemicals such as plasticisers used in their manufacture.  Nurdles that have been in the sea longer attract toxic chemicals such as PCBs and DDTs.  These substances may have a toxic effect on seabirds and fish that consume them and have unknown effects on humans who encounter them on beaches.

What can we do about the nurdle problem? Industry needs to improve handling procedures and make sure nurdle spills are cleared completely.  Operation Clean Sweep is a plastics industry programme aimed at eliminating pellet losses but, as yet, it is only voluntary. In the longer term, we need to reduce our dependence on plastics, especially single use plastics.

Nurdle hunting can also help by raising awareness and by reducing pellet numbers in the environment.  As Sophie Thomas said to me “A nurdle collected is a nurdle out of the sea”.  Occasionally, it may be possible to infer the source of pellets based on their appearance and properties.  For example, the pellets found at Charmouth are unusual compared to those I have seen on other beaches.  Although some at Charmouth are true nurdles, the majority are the bright blue cylindrical type with fine ridges, more typical of a biobead.  If these are indeed biobeads, how are they getting on to Charmouth beach?

This article appeared in the May edition of the Marshwood Vale Magazine.

It was also a pleasure to meet Sarah West and her husband John that day.  Sarah is a blogging friend and she and John had also joined the nurdle hunt.  Sarah writes the blog “Down by the Sea” and has recently been heavily involved in organising the Bridport Green Fortnight.

Hunting for nurdles
Nurdle hunters at work

 

A nurdle collected is a nurdle out of the sea
Nurdle hunter at work
One happy nurdle hunter
A happy hunter with her hoard

 

One hunter's haul
One hunter’s findings. Note the majority are bright blue with fine ridges

 

I returned to Charmouth Beach on May 1st and picked up these in about five minutes on the east side of the river Char. The bright blue pellets predominate as before, note the fine ridges characteristic of biobeads. The grey pellets are mostly smooth, characteristic of a pre-production plastic pellet or nurdle. The lentil-shaped, pale pellets are also nurdles, commonly referred to as “mermaids tears”; they acquire colour if they stay in the sea a long time. The yellow and the one pale blue pellet are nurdles

 

 

Bumblebee on veronica
Couldn’t resist including this picture of a foraging bumblebee on a veronica bush near the car park.

 

An amazing natural phenomenon goes unnoticed

Brixham view

After so many cool, damp and grey days, spring arrived in a rush in the third week of April. Temperatures soared by nearly ten degrees and the sun shone strongly from a virtually cloud-free sky, filling the air with an unexpected brightness, at least for a few days. The sudden change in the weather demanded that I get outside so I drove the short distance to the fishing port of Brixham, parking on the clifftop road on the eastern edge of the town. A steep stone stairway took me down the hillside past curious, deserted, rectangular buildings and wide sweeps of concrete enclosed by thick scrub echoing with birdsong. These are remnants of the Brixham Battery, built in 1940 to guard Torbay against a German invasion, now Grade 2 listed and an informal, unplanned nature reserve. Dandelions and cowslips were dotted about grassy areas and fleshy-leaved green alkanet with its grey-blue flowers provided a contrasting colour. The stairway continued downwards among trees until I was just above the sea where I joined the coast path.

This section of the coast path is enclosed by low scrub and, at this time of year, blackthorn dominates, its branches covered with a snow of small flowers, creating a curtain of white with occasional glimpses of the blue sea. In the bright sunshine, the delicate white petals were almost transparent below a confused mass of yellow-tipped stamens. Eventually, this enclosed path gave on to an open, grassy area roughly the size of a football pitch, overlooking the water of Torbay and backed by thick trees creating a sense of seclusion. Wooden benches positioned along the sea side were popular, occupied by people wearing sun hats and enjoying the spectacular view.  The full panorama of Torbay was spread out ahead like an enticing display in a travel brochure: the red cliffs, the white seafront buildings, the pine trees, the big wheel and, in the foreground, the Brixham breakwater with its white lighthouse. The sea was a bright, slightly greenish blue textured with patches of silvery sheen  and pleasure boats shuttled across the water to and from Torquay.  It was a holiday scene and felt almost Mediterranean.

Amongst all this human activity, no one seemed to be paying any attention to the many mini-volcanoes of crumbly soil partly concealed beneath the rough grass or to the many bees moving about the area just above the grass. Everywhere I looked there were bees flying about, backwards and forwards, swinging from side to side, as if they were trying to find something; a few were walking about on the red soil. There must have been thousands of bees, an amazing natural phenomenon and very exciting to watch. When I looked carefully, I saw that they were mostly black but with distinctive bands of pale hair. These are Ashy Mining Bees (Andrena cineraria), one of our more common solitary bees, and the soil volcanoes in the ground are their nests.

While I was taking in the scene, a couple arrived, both carrying plastic bags. He was in his sixties with long white hair roughly corralled into a pony tail. She was in her late fifties with copious dark hair. They threw down a blanket into the middle of the grassy area, stripped down to their underwear, cracked open some cans and proceeded to sunbathe. Like the other people, they didn’t notice the bees swirling about the grass around them and I wondered how they might react if they encountered the insects. Luckily for them, only the females of these kinds of mining bees possess a sting and they use it only when threatened.

I wanted to take some photos of the bees but, wishing to avoid any misunderstandings as I waved my camera about, I moved to the other end of the grassy area, passing a small turf-roofed building that used to contain the searchlight for the wartime Battery. I found an unoccupied bench, sat down, and providing I was still, the bees resumed their incessant movement around me. The bench turned out to be a front-row seat as, on several occasions, I saw one bee rush at another and the two struggled for a while on the ground. Two or three others tried to join in and it all got a bit confused and messy for a while. Eventually, however, only two were left coupled together, end to end. They stayed like this for a few minutes before separating and flying off. I presumed they were mating but it seemed rather sedate compared to the frantic copulatory behaviour of some solitary bees.

Photographing the flying bees is difficult, but for the short time they were occupied in mating they were relatively still, making it easier. My photographs showed that the honeybee-sized females have shiny black abdomens with a blue sheen in some lights. Two thick, furry bands of grey-white hair line the front and back of the thorax and the face is white-haired with black antennae. The slimmer and smaller males also have black abdomens but differ from the females in having white hairs on the sides of the thorax and thick tufts of white hair on the face. With their pale hairs and contrasting dark abdomens, Ashy Mining Bees are one of the most distinctive and beautiful species of mining bee in the UK.

Despite all this excitement on the ground, I kept an occasional watch on the sea and got quite excited when I saw a shiny black head emerge from the water. This was one of the local colony of grey seals swimming towards Fishcombe Cove. The water was so clear and calm that the seal’s huge body was clearly visible as it passed.

When I had finished, I walked back past the lush banks of three cornered leek that grow along the low cliff edge. I saw male Ashy Mining bees nectaring from the delicate white-belled flowers. Further on, I stopped to look at the blackthorn flowers. Here there were more Ashy Mining Bees foraging together with one very different bee with a shock of orange-brown hair on the thorax and a largely black abdomen tipped with orange-red hair. I later identified this as an Orange-tailed Mining Bee (Andrena haemorrhoa). With all this insect interest, there should be a good crop of sloes on the blackthorn here in the autumn.

If you are interested to learn more about these wonderful bees, here are three more descriptions:

https://standingoutinmyfield.wordpress.com/2018/04/25/a-nesting-aggregation-of-ashy-mining-bees/

https://www.theguardian.com/environment/2017/jun/14/mining-bees-create-theatre-enchantments-shropshire

https://beesinafrenchgarden.wordpress.com/2014/03/13/under-the-plum-tree-again/

 

Soil mini-volcanoes
soil volcanoes

 

Female Ashy Mining Bee
Female Ashy Mining Bee showing thick bands of white hair

 

Male Ashy Mining Bee
Male Ashy Mining Bee showing thick tuft of white facial hair

 

Brixham view. 2jpg
The grassy area showing the “searchlight building” and the breakwater and lighthouse

 

Ashy Mining Bees mating
Mating bees with extra hopefuls

 

Ashy Mining Bees mating 3
Mating pair

 

Seal
grey seal

 

bee 2
orange-tailed mining bee on blackthorn

 

 

 

The Lyme Regis Museum – a treasure trove fit for the 21st century

The new geology gallery showing the ichthyosaur and plesiosaur skeletons on the left. (courtesy of Lyme Regis Museum)

 

The Lyme Regis Museum reopened last year after a major makeover including the addition of a new wing named after Mary Anning, the famous fossil hunter and one of Lyme’s most celebrated citizens.   Mary Anning possessed a unique talent for finding, reconstructing and interpreting fossils in the cliffs of west Dorset and her discoveries transformed the field of geology in the 19th century.  The new Mary Anning Wing has transformed the Museum into one fit for the 21st century.

I remember visiting the Museum some years ago on a bitterly cold mid-December day. I recall a pretty but rather spartan Victorian building crammed with interesting exhibits but very much a museum in the old style.  I returned this January to a completely different experience.  The Museum now has a spacious, welcoming entrance area and shop with natural light flooding through plate glass windows giving spectacular views across Lyme Bay and the Jurassic Coast.  The important features of the old building such as the beautiful spiral staircase and rotunda are still emphasised but there is a new Fine Foundation Learning Centre and with the installation of a lift, the Museum is accessible to all.

I enjoyed the bright, interesting and well-presented galleries covering the Early History of Lyme, the Cobb and the Sea, the Undercliff, Lyme during the War and the Branch Line Railway. A large display on Literary Lyme features, in particular, the writer John Fowles, who lived in the town and was a great supporter of the Museum acting as Curator for a decade.  Fowles’ novel “The French Lieutenant’s Woman” was famously made into a film putting Lyme on the international map.  Jane Austen also features strongly; she spent holidays in the town and set some of her novel “Persuasion” there.

All this alone is worth the price of admission but, in my opinion, the real jewel in the crown is the new interactive Geology Gallery.  Here the visitor can see fossils similar to those discovered locally in the 19th century that changed the face of geology forever and made Lyme Regis famous around the world.  The Gallery celebrates these discoveries and the people who made them while not forgetting those who continue this quest into the 21st century.

The large, high-ceilinged room is packed with exhibits: many different kinds of fossil, drawings, artefacts and mementoes. There are striking examples of large fossilised creatures on the walls and suspended above are models of these same creatures.  The exhibits are so impressive and so well presented that there is a strong “wow factor” but the interactive displays bring the exhibits to life showing what the fossilised bones mean and what these creatures might have looked like.  It is a gallery for all ages but there is no dumbing down.

Mary Anning (from picture in Lyme Regis Museum)
Mary Anning (from picture in Lyme Regis Museum)

 

As I looked around the Gallery, I felt that even if she wasn’t actually there by my side, Mary Anning “spoke to me” from almost every exhibit.  Her story is outlined in the displays, how she was born in Lyme Regis in 1799 to a very poor family, received no formal education but learned from her father the way to collect fossils from the surrounding cliffs.  When she was about 12 years old, she and her brother made their first major fossil discovery, an Ichthyosaur, a now extinct “fish-lizard”.  One of the most dramatic objects on display in the Gallery is a partial Ichthyosaur skeleton, about 5 metres long, discovered in 2005 by Paddy Howe, the Museum geologist, similar to the one discovered by Mary Anning. There is also a massive fossilised Ichthyosaur head in one of the cabinets, so we can get a real sense of how exciting it must have been to discover one of these creatures for the first time.  Mary went on to become the greatest fossil hunter ever known, possessing a unique skill and persistence in finding and reassembling fossils together with the intelligence to learn about the underlying science.  Among her other unique fossil discoveries were two Plesiosaur skeletons, the first ever found and probably her greatest finds. The Plesiosaur was a small-headed marine reptile with a very long neck and the Gallery contains the skeleton of a juvenile Plesiosaur with a model of the creature hanging above the display.

Despite her lack of formal education and her humble origins, Mary came to be well respected by the leading geologists of the time, Henry de la Beche, William Buckland and William Conybeare, all of whom are described in displays.  These men sought her out in Lyme and befriended her but despite this friendship, they used the fossils she found to further their own reputations and gave her little or no credit.  As a woman in the 19th century, she was never able to assume her rightful place in the scientific hierarchy.  After she died in 1847, however, Henry de la Beche read a eulogy to the Geological Society dedicated to Mary Anning and her discoveries.  This was an honour usually accorded only to fellows of the Society which did not admit women for another half century.

The new Gallery tells the story of Mary Anning but I feel that her importance is slightly underplayed, especially in relation to the male scientists of the time. Her discoveries were unique, showing that large reptile-like creatures had existed millions of years ago but were now extinct.  These findings challenged existing ideas in geology and questioned contemporary biblical accounts of creation.  They also contributed to changes in thinking that led Charles Darwin to propose theories of evolution by natural selection.   The importance of Mary Anning should not be underestimated and it is surely significant that in 2010 the Royal Society voted her one of the 10 most influential women in science.

I very much enjoyed my visit to the remodelled Lyme Regis Museum with its new Mary Anning Wing.  It is a treasure trove of fascinating displays, a museum fit for the 21st century, and the staff should be congratulated on their achievement.  I urge you to visit, you will not be disappointed.

Lyme Regis Museum
Lyme Regis Museum

 

Spiral staircase, Lyme Regis Museum
Spiral staircase, Lyme Regis Museum

 

Ichthyosaur head in Geology Gallery, Lyme Regis Museum
Ichthyosaur head in Geology Gallery, Lyme Regis Museum

 

Model of Ichthyosaur above Geology Gallery, Lyme Regis Museum
Model of Ichthyosaur above Geology Gallery, Lyme Regis Museum

 

Model of Plesiosaur above Geology Gallery, Lyme Regis Museum
Model of Plesiosaur above Geology Gallery, Lyme Regis Museum

 

This article appeared in the March 2018 edition of the Marshwood Vale Magazine

The picture at the top of this post shows a model of a pterosaur in the Lyme Regis Museum.   Mary Anning found the first skeleton of a pterosaur outside  continental Europe.

Death and destruction at Dawlish Warren

As we stepped off the train at Dawlish Warren station, we had our first glimpse of the river Exe, its waters a sparkling pale blue in the bright sunshine.  The weather was a welcome change after so many cold and snowy days but, during our short journey from Totnes, we had passed bright ridges of snow still piled against field hedges and, in low lying places, large lakes of standing water from snow melt.  Perhaps the weather was giving us a gentle reminder of its power to disrupt life.

We hadn’t intended to visit Dawlish Warren again so soon (see here for a description of our previous visit) but we wanted to get out for a walk and, hearing that some country roads were still snow-blocked, we chose somewhere easily accessible.  We also wondered how the recent extreme weather might have affected this beautiful sand spit.

The view from the promenade quickly told us part of the answer.  Sand was piled up on the retaining wall that slopes to the beach and, along the promenade, some of the benches were partly submerged in sand as if caught by a pale brown snow storm.  On the beach, huge quantities of wooden debris lay in random heaps, along with some very large plastic items; it will be a mammoth task to clear this.  A closer look showed that the debris was a mixture of wood and reeds along with bits and pieces of plastic and many industrial plastic pellets (mostly grey nurdles).  I don’t want to go on too much about these industrial pellets, I’ve written about them several times already, but we found them littering all the beaches at the Warren to a greater or lesser extent.  Near the promenade there must have been thousands.

As we were picking up a few of the pellets, a woman asked Hazel what she was doing.  After an explanation, the woman said:

“I thought you were picking up driftwood,” and after Hazel had shown her some pellets the woman continued “still they might be very nice for decorating a mirror.”

 

We then walked around the Dawlish Warren sand spit following the route I outlined in a previous post, which also gives some background information about this nature reserve.

The central area of the Warren was partially flooded but still passable.  No spring flowers were to be seen yet but small birds were performing florid mating displays while a group of black corvids sat judgementally in a nearby tree.  Vegetation along paths over the dunes was seemingly spray-painted with a coat of rough sand, probably a result of the blizzard sucking up material from the beach.   Near the bird hide, I disturbed a large flock of Brent geese feeding on the golf course.  These imposing birds took off as a group and circled low over us before moving to a quieter spot.

Warren Point at the end of the sand spit was as mysterious and beautiful as always, its pale marram grass covering glowing in the sunshine. A small flock of linnets, the males with their pink bibs standing out, fidgeted in the branches of a low bush.   A skylark rose from the ground, wings flapping frantically as it hovered in mid-air, singing, turning a tune over and over, changing it each time.  Then, without warning, it stopped flapping and deftly descended back to the ground with subtle, steadying wing movements.

The story on the beaches bordering Warren Point was less uplifting.  There was a slew of debris along the strandline, mostly wood and reeds but also many dead birds. We saw at least twenty casualties, mostly lapwings, identified by their largely black colouring combined with russet brown and white undersides.  During the storm there had been a mass movement of these birds across the Warren and a proportion didn’t survive.  We also saw one or two golden plovers with their exquisite pale brown and white herringbone patterns.  On the beach facing up the Exe, the low sand cliffs at the back of the beach had been damaged by high water and when we rounded the point to walk back, there were more signs of storm damage.  Areas of marram grass had been torn out and reddish soil had been deposited on the edge of the remaining marram grass.

The most significant damage, however, had occurred to the taller sand cliffs that abut the groynes on the sea-facing beach.  Sand had been washed away from the back of the groynes and several metres of sand cliff removed exposing, in some places, the old sea defences.  Some of the new fences built on the reinforced dune ridge had been torn out and now lay on the ground in casual heaps or hanging in mid-air, still partly attached.  The groynes themselves seemed to be intact but plastic notices attached to them lay in pieces among the other debris.  In a powerful demonstration of the scale of the storm and the water level reached, small pieces of wood and more plastic pellets lay along the wooden planks of the groynes and on top of the main support posts nearly a metre above the sand.

Despite all this, the Warren itself is intact and ready for the bloom of spring flowers. The scale of the damage to the new sea defences was shocking and a salutary reminder of the power of the sea, but at least the defences did hold.  Elsewhere in south Devon, the coast road linking Torcross and Slapton was almost completely washed away.  As in 2014, when the Dawlish railway line was destroyed, this year’s damage was the result of a combination of high winds and very high tides, perhaps combined with increased sea level.

As we waited at the station for our homeward train, I noticed willow trees by the platform with many plump, pussy willow catkins.  A medium sized buff-tailed bumblebee arrived to collect pollen from the lemon-yellow male flowers.

We visited Dawlish Warren on March 6th 2018

Debris on Dawlish Warren Beach
Sand heaped on the retaining wall and debris piled on the beach at Dawlish Warren

 

Debris on Dawlish Warren Beach close up
Some plastic debris on Dawlish Warren Beach

 

Plastic pellets Dawlish Warren
A selection of plastic pellets found on Dawlish Warren Beach. If you enlarge this picture and look around you will see several clear plastic nurdles, several yellow ones and many cylindrical pellets (grey, pale blue and white). Also a few biobeads noted for the fine ridges around the outside. The larger plastic balls are not nurdles or biobeads.

 

Brent Geese take flight at Dawlish Warren
Brent Geese take flight above the inner bay at Dawlish Warren (photo by Hazel Strange)

 

 

Dead lapwings at Dawlish Warren
Several dead lapwings
Damaged sand cliffs at Dawlish Warren
Damaged dune cliffs and fences

 

Debris on groyne post at Dawlish Warren
Debris on top of groyne post

 

Dune fences destroyed at Dawlish Warren
Damaged dune cliffs and fences

 

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