Tag Archives: devon

Goat Island and the Great Chasm – the day the earth moved

Nearly 180 years ago, about three miles west of Lyme Regis (in the south west of the UK), a huge chunk of the East Devon coast split off to form a plateau separated from the mainland by a deep, dry ravine.  This was the largest movement of land ever experienced in this part of the country; it remodelled the coast and created a unique new environment.  The plateau, now called Goat Island, and the ravine are still unique and when I walked there in late June, pink and purple orchids flowered across the grassy surface of the plateau whereas the ravine was populated by a tangled jungle of trees and other vegetation. 

Goat Island
The grassy surface of Goat Island with the sea in the background

 

In the early 19th century, the land behind the cliffs in this part of East Devon was dominated by farming.  Between the cliffs and the sea there was an area of land, the undercliff, formed by subsidence that supported fertile market gardens and orchards with some pasture for animals.   Cottages had also been built here for farm labourers who walked up and down the steep cliff path to the farmhouse a short distance inland.  The latter part of 1839 had seen unprecedented rain and as Christmas approached, there had been ominous signs of instability in the cliffs with deep fissures opening on the cliff tops and settlement cracks appearing in cottages built on the undercliff.

One of the farm labourers who lived in the cottages with his family was William Critchard.   At about 1am on Christmas Day 1839, Critchard and his wife returned to their cottage having been generously entertained along with other labourers’ families by their master at his farmhouse.  Their Christmas Eve gathering had included the West Country custom of burning the ashen faggot (a large ash log) accompanied by the drinking of copious amounts of cider.  On their way back to the cottage, the couple noticed that part of the cliff path had dropped about a foot since the morning and new cracks had appeared in the cottage walls.  Still merry after their evening’s entertainment they retired to bed unconcerned.  At 4 am, however, they were awoken by a “wonderful crack” and by 5am they rose to find deep fissures appearing in the garden.  They realised that something major was happening and set off up the cliff path, now almost impassable owing to subsidence, to spread the alarm.

Movement in the cliffs continued over the next 24 hours and as the day dawned on December 26th it revealed a landscape changed almost beyond recognition.  Contemporary drawings show that a massive section of cliffs, about three quarters of a mile long and estimated as 8 million tons of rock, had moved seawards by several hundred feet creating a dry ravine, the Great Chasm, in its wake. The plateau of land that had moved was bounded by cliffs 150 feet high and came to be called Goat Island. The ravine held a gothic landscape of lumps and bumps, peaks and troughs, vividly expressing the power of the convulsion that had occurred. (See here for some contemporary illustrations of the landslip)

The cliffs in this part of Dorset and Devon are notoriously mobile, but the events of Christmas 1839 represented the greatest ever movement of land in the area.  At the time there was much speculation as to the cause of the landslip: might it have been the result of an earthquake or a volcano, was it the work of rabbits, or could it have been a punishment from God? By chance, two of the most eminent geologists of the time, William Buckland and William Conybeare, were staying nearby and could interpret the events; Buckland’s wife Mary made invaluable drawings of the changed landscape.  Buckland and Conybeare concluded that the excessive rain had saturated the permeable layers of chalk and greensand that constituted the upper part of the cliffs.  Beneath these layers was an impermeable layer of clay and the chalk/greensand, saturated and very heavy, moved forward on the impermeable clay leading to the landslip.

The new landscape became a tourist attraction.  Queen Victoria arrived on the Royal Yacht to view the scene and others took to paddle steamers to gaze in wonder while specially composed music, the Landslip Quadrille, was played.   Bizarrely, fields of corn and turnips growing on cliff top land had moved intact with Goat Island and were ceremonially harvested the following August by local village maidens dressed as attendants of Ceres, the Roman Goddess of the Harvest.

But what of Goat Island nowadays?  It’s only accessible on foot but the walk along the coast path is worth the effort.  I set off from Axmouth on a misty but mild morning in late June to make the steep climb across the golf course and on to the cliff top.  I followed narrow lanes with high banks and skirted cornfield edges to reach the coast path.  Cliff edge scrub obscured the sea most of the time but occasional breaks revealed Beer Head lurking mysteriously in the mist.

About two miles into the walk, with my attention captured by the many flowers lining the path, I was jolted from my reverie as the path twisted and dropped down steeply into dense vegetation.  It continued to descend with the occasional squirm to the right or left before bottoming out.  About me now was a disorienting, tangled jungle of trees, shrubs and ferns with brambles and creepers dangling downwards to catch the unwary.  Dampness hung in the air and only brief vestiges of light filtered through the canopy.  This is the undercliff near the edge of the Great Chasm, no longer an open ravine but taken over by nature in the intervening 180 years.

Quite soon the track reared upwards again climbing steeply towards the light past a cushiony chalk hillside with a scattering of wild flowers.  In time, the path levelled out to a long, lush grassy meadow sloping gently towards sheer cliffs above the undercliff and the sea; this is Goat Island.  Woven within the grass were the frilly flowers of eyebright, many yellow dandelion-like flowers of catsear, patches of yellow rattle and wild thyme and two blue spikes of viper’s bugloss. It was, however, the orchids that surprised me with their number and variety: pyramidal orchids with their intensely pink, three-lobed petals overlapping like ornate roof tiles and common spotted orchids with their cylinders of lilac pink flowers carrying magenta hieroglyphics.  I searched for bee orchids and found only two spikes, each bearing several flowers.  With their mauve propeller-like sepals and their large central petal complete with furry edges and yellow horseshoe patterns on a maroon background, these flowers are one of nature’s marvellous mimics said to resemble bumblebees.  Butterflies, especially marbled whites completed the scene.  Goat Island nowadays is a beautiful, unusual place, an oasis of calm where noise means bird song.  It is also a managed landscape, a cooperation between nature and humans, as every year the grass is mown to encourage flowers and to prevent scrub taking back the land.

Goat Island is also a place of history and I stood there for some time, trying to imagine the scene 180 years ago when the land beneath my feet moved and the lives of the people living there were changed forever.

The picture at the head of this post shows common spotted orchids and catsear on Goat Island.

This article appeared in the August 2019 edition of the Marshwood Vale Magazine.

Down into the undercliff near the ravine

 

Bee orchid and pyramidal orchid on Goat Island
bee orchid and pyramidal orchid

 

pyramidal orchid
pyramidal orchid

 

Vipers bugloss on Goat Island
Vipers bugloss

 

wild thyme with bumblebee
bumblebee on wild thyme on Goat Island

 

Marbled white butterfly
marbled white butterfly

 

Meadow brown butterfly on wild marjoram
meadow brown butterfly on wild marjoram

 

A mid-June visit to Dawlish Warren – with bee orchids and bees

I wasn’t sure what to expect.  May had been a dry month and the first two weeks of June very wet, with temperatures lower than normal for the time of year.  How might the changeable weather have affected wildlife?  As I waited at the station for my train, the staccato spits of rain made me wonder if it was even worth making this trip.  But perhaps I was being too negative.  The journey along the river estuary and by the sea was as glorious as ever and, when I stepped off the train at Dawlish Warren station, there was bright sunshine and a palpable warmth.

I left the station, headed past the funfair, past the shops selling garish beach clothing, past the pub and cafes and on to the nature reserve.  Evening primrose with their papery lemon-yellow flowers grew on the dry, sandy soil either side of the descending path and when the track levelled out, small areas of standing water were an unwelcome reminder of our recent weather.

A short walk eastwards took me on to a long green meadow.  This part of the reserve is known as Greenland Lake because in the 19th century it was a watery inlet where fishing vessels sheltered over winter before heading back to Greenland.  The area was reclaimed in the mid-20th century but is still damp so that lush grasses flourish alongside a range of plants that relish the humid conditions.  Today, flowers of yellow rattle and yellow bartsia formed a colourful sheen across the meadow, interspersed with many spikes of southern marsh orchids; some were a pale lilac and others a deep reddish purple, like colourful flames flaring from the meadow floor.  Towards the edge of Greenland Lake, the ground rises, becoming drier and sandier, populated by more evening primrose, their tall stems trembling in the keen west wind that blew across the reserve keeping the temperature down.

I thought I remembered where the bee orchids grew but memory is a tricky thing and the look of the reserve changes each year.  Eventually I found them, surrounded by enclosures to protect against trampling; there were several spikes in each enclosure, each spike with three or more of the complex flowers, each enclosure neatly labelled.   Calling the flowers complex, however, doesn’t really do them justice.  Three pinkish-lilac sepals form a propeller-like backdrop; each sepal is semi-transparent with narrow green veins.   The main part of the flower contains three petals including one that forms the dominant, downward-projecting labellum, a very unusual affair, engorged and bulbous with impressively furry edges and a central maroon area with yellow horseshoe patterns.  This is the part of the flower in which early botanists imagined a bee and gave the flower its name.

bee orchid
Bee orchid

 

With their vivid colours and pristine petals, the flowers looked as though they had emerged very recently and some features such as the horns and the arching yellow pollinia had not yet developed.  I gazed at all of this, marvelling at the complexity of nature but pondering whether the flowers really were beautiful or were they just plain weird.  I couldn’t decide but I doubt if it matters, they are what they are.

It’s reassuring to find that others feel ambivalent about the flowers and here are a few lines taken from “Bee orchid at Hodbarrrow” by the Cumbrian poet Norman Nicholson where he hints at their contradictions:

See the bee orchid –
Neither plant nor animal,
A metaphysical
Conceit of a flower

I left the bee orchids and wandered about the dry sandy paths bordered by flowering brambles and rough, greenish-brown marram grass.   The wardens try hard to maintain the reserve and that includes controlling scrub, especially brambles, which would otherwise take over.  Sometimes they treat the scrub with herbicides and cordon off the treated area. It makes me uneasy to see this happen but it’s probably the only way to preserve the present rich populations of flowers and insects.  I was, therefore, surprised to see three men festooned with cameras some with phallic lenses entering one of the treated areas and walking about noisily.  It seemed as though they were looking for something but they ignored me and eventually moved on.

Then I came across the bees.  They were moving about just above the dry surface of a rising sandy path, darting back and forth in straight lines but often pausing on the sand to preen and perhaps take in the warmth.  Sometimes when stationary they moved their abdomen up and down repetitively, a manoeuvre that encourages gas exchange after a period of activity, not unlike human panting.

To begin with, only a few of these insects were in evidence but when the sun came out more seemed to appear and everything got busier.  They were slightly smaller than a honeybee and to the naked eye they appeared golden.  Photographs showed bands of golden hair around the abdomen and thorax, a pale moustache and strikingly beautiful green eyes.  These are male silvery leafcutter bees (Megachile leachella) and must have emerged very recently to retain the golden look which quite soon fades to a silver, hence the name.

These males were all rather excited, bombing one another and even trying to mate and frequently looking into holes in the sand that I hadn’t seen.  Then I noticed a more protracted coupling between two of the bees which confused me for a while as I hadn’t knowingly seen any females.  Again, photographs came to the rescue showing me that a female was involved. The diagnostic feature is a symmetrical pair of small white hair patches on the terminal segment on her abdomen.  Mated females will go on to construct nests in the vegetated sand using leaf segments they cut to line the cavity but that didn’t seem to have got going yet.

There was so much sexual tension among the male bees as they waited for females to emerge that feeding seemed to be taking a low priority.  It was only later when I walked back towards the railway station taking a detour via a dry meadow at the back of the reserve that I found some bees feeding.  The meadow was covered in lush grass and flowers including diffuse globes of white clover and the slipper-like yellow flowers of bird’s foot trefoil.  Silvery leafcutter males were feeding here pushing the two parts of the yellow flower apart to access the nectar.

While I was watching this, the three men with cameras reappeared.  Seeing me they came across:

“We’re looking for butterflies, have you seen any?”

“Yes, I have, I can show you some pictures if you like?”

I showed them the picture I took earlier of a female common blue butterfly and they agreed sulkily with my identification, adding: “Well, we haven’t seen many, there don’t seem to be many about”

I tried to engage them in conversation about bees but they weren’t interested.

 

yellow bartsia
Yellow bartsia

 

 

southern marsh orchids
Southern Marsh Orchids

 

male silvery leafcutter
male silvery leafcutter bee

 

mating pair
mating pair

 

female silvery leafcutter
Female silvery leafcutter bee, note the paired white patches of hair on the terminal abdominal segment

 

male feeding
Male silvery leafcutter bee feeding on bird’s foot trefoil

 

female common blue butterfly
Female common blue butterfly. Defintion is poor because of zoom and the age of the specimen.

 

A songbird makes a welcome return

The Cirl Bunting is an attractive songbird once found throughout the southern half of the UK.  Its numbers declined precipitously in the second half of the 20th century following changes in farming practice and, by the late 1980s, it was confined to coastal farmland in south Devon and might have become nationally extinct.  The Royal Society for the Protection of Birds (RSPB) recognised the problem and worked with farmers to support the bird resulting in a dramatic increase in its numbers. In a recent expansion of its range the bird has established itself in East Devon at Stantyway Farm near Otterton having been absent for more than 30 years.  I wanted to find out more so I went to Stantyway to see for myself.

Male cirl bunting (photo generously given by David R White)
Female cirl bunting (photo generously given by David R White)

The Cirl Bunting was first reported in the UK by Montagu in the winter of 1800 near Kingsbridge in south Devon in the west of the country.  It is roughly sparrow-sized and the male, in particular, is very distinctive with its black and yellow striped head and olive-green breast band.  The bird gradually spread across the southern half of the UK, its numbers peaking in the early years of the 20th century.  Since then it has declined and by the late 1980s only 118 pairs remained, confined to coastal farmland between Plymouth and Exeter.

With the Cirl Bunting facing national extinction, the RSPB identified changes in farming practice linked to agricultural intensification as responsible for the precipitous decline.  In the winter, the bird forages for insects and spilt grain in weedy stubble fields.  In the summer, it nests in hedges or scrub and forages on unimproved grassland rich in invertebrates with grasshoppers being important food for chicks.  With agricultural intensification, there was a shift from spring-sown cereals to autumn sowing so that far fewer arable fields were left as winter stubble; grubbing out of hedges took away nest sites and loss of the hay meadows and increased use of pesticides reduced invertebrate numbers and summer food for the bird.

Once the cause of the decline had been identified, the RSPB worked with farmers in south Devon to support the birds by reinstating some traditional agricultural practices, supported by government agrienvironment schemes.  The effect was spectacular and by 2016, numbers of Cirl Buntings had increased to over 1000 pairs. Most of the increase occurred in the bird’s core range but there was some spread along the coast and inland where habitat was suitable.   This was a major conservation success, also benefitting other species.

The coast of south Devon showing the core range of the cirl bunting and the location of Stantyway Farm across the Exe estuary in East Devon (from British Birds).

The bird has a reputation for being sedentary and it had been assumed that the estuary of the river Exe would be a barrier to further eastwards expansion of its range.   So, it was a surprise when, around the end of 2010, a single Cirl Bunting was seen at Stantyway Farm near Otterton in East Devon followed by several more sightings early in 2011.  Since then, the numbers at Stantyway have increased suggesting that the local conditions suit the birds and from 2015 it was clear that a breeding population existed.

Stantyway Farm is owned by Clinton Devon Estates and when the tenant, Mr Williams, retired in 2014, the farm was taken back into Clinton’s own Farm Partnership.   Clinton Devon Estates were keen to support Cirl Buntings and other species on their arable farm at Stantyway so they took advice from the RSPB and applied for agrienvironment support.  This was awarded in 2016 and supports planting hedges to provide more nest sites, leaving wildlife margins around fields to provide invertebrates as summer food, and planting spring cereal crops that are harvested in the autumn leaving weedy winter stubbles with seed as food.  These are all activities shown to be critical in supporting these birds in south Devon.  The farm was also put into organic conversion in 2016; organic farming by its nature supports wildlife and increases invertebrates.  Cirl Bunting numbers at Stantyway gradually increased across this time.

In 2017, Clinton Estates advertised for a new tenant farmer at Stantyway and Sam Walker was appointed.  Although the farm is still mainly arable, Sam keeps 52 cows whose calves are raised and sold on to beef finishers.  About a third of the land is now devoted to grass for silage production for winter animal feed.  Sam has, however, embraced the existing philosophy of the farm in supporting wildlife: he has maintained the organic status and intends to apply for further agrienvironment support when the current scheme runs out in 2021.

I wanted to see the farm for myself so, on a mild early April day, I went to Stantyway.  I left the car on the rough ground across from Stantyway Farmhouse and stood for a few moments enjoying the sunshine.  The air was filled with the endlessly inventive song of the skylark and occasionally a buzzard mewed as it circled lazily overhead.  Sometimes a low buzz cut through all of this and when I looked, I realised this was from all the insects about.

I walked away from the farm along the gentle downhill slope of Stantyway Road with views developing over rolling East Devon countryside on one side and to the hazy mid-blue sea on the other. The lane descended between wide grassy verges backed by luxuriant hedges. Spring flowers grew through the thick grass including stitchwort, celandine, dandelions, violets and white dead nettle.  The dominant flowering plant was, however, alexanders, with its fleshy green stems, copious shiny dark green foliage and pale mop head flowers.  This was proving very popular with many kinds of fly and a selection of solitary mining bees, some collecting large lumps of white pollen on their back legs.

My walk included a long section of the coast path skirting the edge of Stantyway fields.  Thick scrubby hedges, mainly flowering blackthorn, lined the cliff edge along with more alexanders. The occasional hedge break afforded spectacular views along the red cliffs of the Jurassic Coast towards Ladram bay with its crumbling stacks, past the white elegance of Sidmouth and finishing in the chalk of Beer Head (see picture at the top).   Again, there were many solitary mining bees taking advantage of the flowers.    I did not see any Cirl Buntings on my walk but, on two occasions I heard their distinctive, rattling, metallic trill telling me the birds were about.

It’s a beautiful place made all the better by glorious early April weather and I was surprised to see so many insects along the paths.  Perhaps this reflects the methods used at Stantyway, showing that productive farming and wildlife can coexist and prosper. Around the farm, each field gate has an information board giving the crop and some other useful information.  An Honesty Café has been installed near the farmhouse providing continuous hot water for tea or coffee and homemade cakes that I can strongly recommend.  All of this suggests an outward looking, open approach to farming.  When I met Sam Walker, the farmer, he explained that, in addition to the provisions of the agrienvironment scheme, he has put skylark plots in cereal fields, created wild bird seed corridors and put up swift boxes to support wildlife.  I came away feeling that at Stantyway, Cirl Buntings were getting the best support they could.  His methods have already benefitted other farmland birds with numbers of skylarks and reed buntings doubling over the past year and in a further twist to the Cirl Bunting story, some of the birds have now been seen to the east of Sidmouth.

I should like to thank Sam Walker, Doug and Joan Cullen, Kate Ponting and David White for generous help in preparing this article which appeared in the May edition of the Marshwood Vale Magazine.

 

sign
One of the farm gate signs

 

Alexanders and blackthorn
Alexanders (greenish-yellow) and blackthorn (white) along the coast path. The cliff edge is behind the hedge!

 

Solitary mining bee on Blackthorn
A solitary mining bee (probably Andrena flavipes) feeding from blackthorn.

 

Solitary mining bee on Alexanders
A solitary mining bee (probably Andrena nitida) feeding from Alexanders

 

Honesty Cafe
The Honesty Cafe at Stantyway Farm

 

The winter solstice – a day of sunshine – with flowers, butterflies and bumblebees

When the short day is brightest, with frost and fire,
The brief sun flames the ice, on pond and ditches,
In windless cold which is the heart’s heat,
Reflecting in a watery mirror
A glare that is blindness in the early afternoon.

(from Little Gidding, the last of TS Eliot’s Four Quartets)

low midwinter sun behind pine trees at Roundham Head
Low midwinter sun behind pine trees at Roundham Head – silhouettes and shadows

 

We had a lot of grey, wet weather towards the end of last year, and very little sunshine. A few days before Christmas, however, the forecast predicted a bright, dry and relatively mild day, so I took the opportunity to get over to Roundham Head in Paignton to see what flowers and wildlife might be about. It’s a journey of about ten miles and that morning I took the bus, enjoying the long views across the surrounding countryside. Paignton is a seaside holiday resort but it looked distinctly “out of season” when I arrived, despite the sunshine and blue sky. A few people were walking along the promenade; they were well wrapped up even though it wasn’t a cold day. The little harbour was quiet; small boats bobbed on the water protected by the old stone walls and a gang of turnstones skittered like mice at the water’s edge. Molly Malones food shack was closed for the winter and the booths normally touting fishing excursions were empty.

I walked up suburban streets to get on to the northern side of Roundham Head, the flat-topped, cliff-lined, grassy promontory that protrudes into the waters of Torbay. A line of tall pine trees straddles the first part of the headland and the low sun rendered these as silhouettes casting long shadows across the grass. The path around the promontory follows the cliff edge with views to the sea below and a seal teased me by briefly raising its shiny black head above the water. Eventually I came to southern side of the Head and the gardens that were built in the 1930s partly to stabilise the cliffs. Steep zig zag paths track up and down between flower beds planted with exotic species that, between them, provide colour throughout the year. There are benches should you wish to rest or enjoy the views over Torbay and the shelter, the proximity of the sea and the south facing aspect of the gardens generate a mild microclimate.

low midwinter sun over Goodrington Sands
The low midwinter sun over Goodrington Sands

 

It was the winter solstice that day, the shortest day in the northern hemisphere, the day when darkness begins to give way to light. From the southern edge of Roundham Head, above the gardens, I could see the sun hanging very low in the pale wintery-blue sky casting its light across the beach at Goodrington Sands creating a silvery mirror on the water. Even though this was midwinter, there were plenty of flowers around me in the gardens and the low sunshine created surprising effects. Its intense golden light gave a softness to the air and enhanced flower colours to an almost psychedelic extent. Banks of bergenia acquired a pink brightness worthy of late 1960s San Francisco and the scorpion vetch (Coronilla valentina) that flourishes all over the gardens glowed with a lemon-yellow light.

I paused by a clump of bergenia, enjoying the warmth of this sheltered spot. A small bumblebee, ovoid and furry with black, white and yellow stripes, soon appeared, moving among the bright pink flowers looking for food. Quickly tiring of the bergenia, it flew to one of the white funnel-shaped flowers in a large clump of shrubby bindweed (Convolvulus cneorum), burying its head in the base of the bloom where it stayed, drinking nectar. Based on size and appearance this was probably a buff-tailed bumblebee worker. A drone fly also took advantage of these flowers resting near the mass of golden yellow stamens. Soon after, I got a surprise when a butterfly landed briefly on the bergenia before flying off. It circled for a while before settling on a wall to bask in the sunshine showing me that it was a painted lady, with its characteristic wing coloration of orange/buff, black and white. An insistent buzz announced the arrival of a large bumblebee, black with orange/buff coloured bands. This was a queen buff-tailed bumblebee and she proceeded to feed from the bergenia. I had two more sightings of large furry queens on these pink flowers.

Another plant that flourishes here is rosemary and extensive curtains of the herb cascade from several borders, their slate blue flowers glinting in the sunshine like diamond chips. Rosemary is in flower here for several months across winter providing pollen and nectar for insects and I saw several buff-tailed bumblebee workers moving quickly about the flowers, their pollen baskets well loaded. They were very jumpy and flew off when I got too close. For a short time, they were joined by another queen carrying a small amount of grey pollen, also a basking, but rather worn, red admiral butterfly with its bright red and white patterns on a black background.

By mid-afternoon, cloud began to bubble up to the south, and eventually a slab of grey cloud obscured the sun. The temperature dropped noticeably, the wind got up and the bees went off to shelter, bringing observations to a close. I made my way back to the bus station pondering what I had seen.

It still surprises me to see butterflies in the winter. I have seen them here before in December and January but in my mind these brightly coloured insects signify summer. Although most red admirals are thought to migrate to the UK from North Africa and continental Europe, a few are thought to be resident now that mild winters are becoming more common. These residents can be seen flying and feeding on gentle winter days. The painted lady also migrates into the UK but is thought to be unable to survive our winters, so the one I encountered is unlikely to see our spring.

What about the bees, aren’t they supposed to be in hibernation at this time of year? Well yes, most bees are, but based on my observations of buff-tailed workers collecting pollen in December, there must be winter active colonies at Roundham Head. I first saw worker bumblebees here in January about five years ago and since then I have seen them at a similar time each year, so this is a well-established phenomenon. There are presumably queens in their nests laying eggs supported by these workers. These queens would have been produced in the previous October to mate with males at emergence. Last year I did see male buff-tails here in December so perhaps these were survivors of the late autumn emergence.

There is abundant evidence now from a variety of sources that colonies of buff-tailed bumblebees are active in the winter across the southern part of the UK. Two factors seem to be important: winter weather should not be too harsh and there should be plenty of flowers to support the colonies.

worker bumblebee on shrubby bindweed
A worker bumblebee on a shrubby bindweed flower

 

drone fly on shrubby bindweed
A drone fly on a shrubby bindweed flower

 

queen bumblebee on bergenia
Queen buff-tailed bumblebee on bergenia

 

painted lady butterfly
painted lady butterfly

 

painted lady butterfly on bergenia
painted lady butterfly on bergenia with wings closed

 

worker bumblebee on rosemary
Worker bumblebee with pollen on rosemary

 

red admiral butterfly
red admiral butterfly – note the damaged wings

 

The 1918 influenza pandemic – the greatest global killer since the Black Death

As the First World War staggered towards its bloody conclusion 100 years ago this month leaving 17 million dead, the war-worn world suffered a second catastrophe. A lethal influenza pandemic swept the planet killing at least 50 million people.  Most towns in the UK have fitting memorials to the war dead but the many who died from influenza are neither commemorated nor remembered. The Spanish flu, as it came to be called, was the greatest global killer since the Black Death.  It is very important that its victims should not be forgotten and lessons learnt for dealing with future pandemics.

Detail of the war memorial in the tiny Dorset hamlet of Briantspuddle showing some of the names and regiments of the war dead. Even from somewhere as small as Briantspuddle seven men were killed in WW1 and six in WW2.

 

By June 1918, the fighting had been raging for nearly four years.  Already worn down by the privations of war and the deaths of so many young men, people in the UK began to suffer the symptoms of influenza.  Sore throat, headache and fever were typical but, after a few days in bed, people recovered and got on with life as best as they could.  The illness had already swept across the US in the spring, reaching the trenches of the Western Front by mid-April leading to a brief lull in the fighting while troops recovered.

A poster warning of the dangers of Spanish flu (from Wikimedia Commons)

By September, however, a second wave of influenza surfaced, now in a deadly new guise. The virus was highly infectious sweeping through populations and quickly reaching most countries around the globe, its lethal progress assisted by the movement of troops to and from war zones.  The majority experienced typical flu symptoms, perhaps a little more severe, and recovered quickly but, for about one in twenty of those infected, the effects were much more serious. Pneumonia-like symptoms caused by bacterial infection of the lungs were common leading to breathing problems and copious bloody sputum.  Sometimes, the face and hands developed a purple-blue colouration suggesting oxygen starvation.  This colour might spread to the rest of the body, occasionally turning black before sufferers died.    Post mortem examination revealed lungs that were red, swollen and bloody and covered in watery pink liquid; victims had effectively drowned in their own bodily fluids. There were no effective treatments, antibiotics had not been developed, and the death rate was high. By Christmas the second influenza wave had burnt itself out only for a third wave of intermediate severity to strike in the first few months of 1919.  The pandemic came to be called “Spanish flu” because Spain alone, not being part of the war and so not subject to censorship, reported its flu experience freely.

An influenza hospital in the US (from Wikimedia Commons)

 

In the UK, the Spanish flu killed 228,000 people in the space of about six months but this was a global pandemic and around the world the mortality was staggering.  There were 675,000 deaths in the US and up to 17 million in India; overall the illness killed at least 3% of the entire population of the world.  Unlike typical seasonal flu epidemics, deaths from Spanish flu were highest among 20-40-year olds with pregnant women being particularly vulnerable.  If World War 1 had consumed the flower of youth, Spanish flu cut down those in their prime.

The sudden, widespread occurrence of a major illness with such high mortality caused huge disruption to daily life in the UK, especially in large towns.  Medical services were overwhelmed as many doctors and nurses were on war service, funeral directors were unable to cope and there were reports of bodies piling up in mortuaries.   The response of the medical authorities was poor, underplaying the gravity of the situation and providing little guidance; the newspapers, wearied by war news, were reluctant to give this new killer much coverage.  Understanding of disease in the general population was rudimentary and a sense of fear and dread prevailed as people witnessed so many apparently random deaths.

In the West Country, the second wave of influenza killed at least 750 people in both Devon and Somerset and about 400 in Dorset but many thousands must have been unwell. Contemporary reports from Medical Officers of Health and local papers give some idea of how life was disrupted:

“In Lyme Regis, schools were closed for a fortnight in October 1918 as a large number of teachers as well as children were stricken down with the malady”

“The epidemic occurred when there was a great shortage of doctors and nurses across Devon and in the autumn of 1918 many cases succumbed before they could be visited; so bad was this in north Devon that, in answer to appeals from Appledore and North Tawton, two members of the School Medical Staff went to the aid of overtaxed doctors”

“Schools in Dartmouth were still closed in November 1918, social functions postponed and a Corporation soup kitchen opened to supply nourishing soup for invalids”

Here are two extracts from letters written to the author Richard Collier by people alive in 1918 describing their experience of the pandemic.  These were kindly given to me by Hannah Mawdsley.

“Mrs Frances Smith wrote from Brixham, Devon about her flu memories.  She remembered funerals taking place late into the evening by lamplight, as there wasn’t enough time in the day to bury everyone. She caught the flu herself and was convinced that she was going to die. She had a very high fever and her hair fell out as a consequence of the flu, as well as severe aches in her back and legs.”

“Mr Bebbington was at Blandford Camp, Dorset during the pandemic. He remembered the huge numbers of flu victims there, as well as the depression that followed many flu cases, which seemed to result in a significant number of suicides in a nearby wood.”

 

This advertisement appeared in the Totnes Times in November 1918. There were no treatments for Spanish flu but claims for cures abounded at the time. This is one of the milder ones.

Given the high mortality and the disruption to normal society I find it surprising that the pandemic was not commemorated and seems to have been forgotten quickly.   Perhaps after four long years of carnage abroad and disruption at home, another horror was just too much, and the only way to cope was to forget?

But what was it about the 1918 flu virus that made it so virulent producing symptoms unlike any seen before and killing so many people? We still don’t know but scientists in the US have made some headway by studying the virus extracted from corpses of people who died during the second wave of the infection preserved in Alaskan permafrost. This showed, surprisingly, that the 1918 virus had a structure similar to a bird flu virus.  This partly accounts for its virulence: its bird flu-like structure would have been alien to the immune system of people at the time. Because it also had the ability to infect human cells, it was a lethal vector of disease causing, in some patients, severe damage to the lining of the respiratory tract leading to bacterial infection and pneumonia, engorged lung tissue and bloody sputum. A flu virus normally found in wild birds had acquired the ability to infect humans and the pandemic was the result.

Could history repeat itself? Could the world experience another lethal influenza pandemic?  There is certainly concern among experts that this could happen and the Government recognises pandemic influenza as “one of the most severe natural challenges likely to affect the UK”.   Current concern is focussed on two bird Influenza viruses circulating in the Far East.  Since 2003, these have infected more than 2000 people and nearly half have died.  Almost all the human infections have come from close contact with poultry or ducks but should one of these viruses change so that person to person transmission becomes possible, then we could be facing another major pandemic.  How would we react? Our health care systems, at least in the developed world, are more sophisticated compared to 1918 and surveillance is better so that we should have early warning of the start of a pandemic.  The UK Government has an Influenza Pandemic Preparedness Strategy, we have antibiotics and vaccines to combat bacterial pneumonia and some antiviral drugs to reduce flu symptoms. There is still the likelihood that health care systems would be overloaded and perhaps our best long-term hope is the development of a universal flu vaccine to protect against all strains of the virus.

This article appeared in a slightly modified form in the November 2018 edition of the Marshwood Vale Magazine.

The picture at the head of this post shows a group of women in Brisbane, Australia wearing masks as a protection against Spanish flu (from Wikimedia Commons).

I should like to thank Hannah Mawdsley for giving me the two letters from people remembering the flu pandemic.

It’s a daffodil, but not as we know it.

Two sea daffodils at Dawlish Warren
two sea daffodils

Last week I made the short train journey along the Devon coast to Dawlish Warren hoping to see some of the special late summer flowers that flourish on the nature reserve.  Dawlish Warren is also a very popular holiday spot in August and, as I walked from the station, I joined shoals of people making their way to the beach laden with bags and body boards.  It was all very good humoured and, as I sat on the promenade drinking my coffee and dodging wasps, children played on the beach below, shrieking as they ran in and out of the water.

[For more information on Dawlish Warren look here]

It was a gentle day with sunshine and cotton wool clouds as I followed the sandy boardwalk away from the promenade across the narrow line of dunes and down to the quiet of the nature reserve.  The uneven, wooden walkway meandered across swathes of rough grass where many evening primrose stood on tall reddish-green stems, their papery flowers fluttering in the breeze like clouds of lemon-yellow butterflies.

The central part of the reserve used to be a lake, Greenland Lake, long since drained but never really having lost its watery feel. There were still a few puddles remaining after recent heavy rain and the profuse flora was dominated by damp-loving plants, especially tall, thick rushy grasses.   Drifts of purple loosestrife, spiky and colourful, stood above the dark green grassy understory.  Fluffy lilac globes of water mint and creamy cushions of meadowsweet also shone, along with large numbers of the yellow daisy-like fleabane. Late season insects enjoyed the many food sources.

Further on, as the ground became a little drier and the grass shorter, I was surprised to see one or two spikes of marsh helleborine.  They had been flowering in their hundreds when I visited about six weeks previously but I thought they would have been finished by now.  These unusual flowers are members of the orchid family and each pinkish flower stem carries several white flowers with delicate pink veins and a frilly lip, backed by pink sepals.  There is something unsettling about marsh helleborine when they appear in large numbers, casting their pale colours across the damp green grassland.

There’s another orchid I have seen growing here in profusion in previous years.  It’s the last of the season’s orchids to appear and I had almost given up hope of finding any when, finally, I stumbled across a few.  Each vertical spike is very distinctive, a slightly hairy grey-green spiral, looking as though several strands of fine rope had been wound around one other.  Perhaps it’s just the name, autumn lady’s tresses, but they also remind me of the plaits the girls wove from their long hair when I was at school.  The white tubular flowers emerge from this grey-green spiral to decorate the spike in a helical manner, either clockwise or counter clockwise.  Bumblebees pollinate the flowers and apparently, they prefer the counter clockwise arrangement.

My next stop was the inner bay, with its views up the river Exe towards mudflats popular with wading birds.  Today the water had retreated, leaving the semi-circular bay a shining sheet of dark mud, revealing many clumps of bright green glasswort (marsh samphire).  Groups of glistening, jointed stems pushed up from the mud, their multiple branches resembling miniature versions of the giant cacti often seen in Western Movies.  Each stem was also dotted with particles that resembled grains of sand but in fact were tiny yellow flowers.

There was quite a bit of woody, reedy debris on the beach although very little plastic at this time of year.  I found a suitable log and sat down to have my sandwiches.  Boats puttered across the river between Starcross and Exmouth and a few seabirds moved about the mud.  Then suddenly, as if from nowhere, a cloud of small grey birds appeared above the bay.  There were perhaps as many as two hundred, moving as a group backwards and forwards above the water but continually changing formation, the outer members of the group visibly accelerating before a turn.  It felt like a deliberate performance and, as they banked and changed direction, the sun caught their wings transforming them momentarily into mobile shards of silver.  Suddenly it was all over and without warning they landed on the beach to my right, disappearing from view as they merged with the mud.  Some passing birders told me they were mostly dunlin with a few sanderling.

After lunch I pressed on past the inner bay to the fist-shaped end of the sand spit, Warren Point, that nearly reaches the east bank of the Exe at Exmouth, but doesn’t quite make it.  This part of the peninsula is fringed by sloping sandy beaches and marram grass-coated dunes but the central area is quite different.  Here the land is covered with rough grass and vast mats of the tiny succulent, white stonecrop, a mass of white flowers six weeks ago but now just fleshy green growth.  The dry sandy ground also supports unruly clumps of brambles and many shafts of evening primrose topped with yellow flowers.  Large blue-green dragonflies swooped backwards and forwards in search of prey.

I have to admit that my visit to this part of Warren Point was not entirely unprompted.  Before I left, I had read about a very rare flower appearing here and, as I passed the information centre, I asked for guidance as to where they might be found.  I followed the directions and on a small rise surrounded by rough brambles I found them, several clumps of brilliant white flowers above thick strap-like leaves.  These are sea daffodils, found all around the Mediterranean often on sandy beaches but very rare in this country.  There are only three sites where these plants flower in the UK and Dawlish Warren is one.

In groups, the flowers look very spiky and disorganised but closer examination reveals the true beauty of the blooms.   Each flower has a very large white corona, trumpet-like with a deeply serrated edge, containing six prominent yellow pollen-loaded stamens around a long white style.  Behind the corona are six narrow sepals arranged symmetrically like a white star.   As I stood examining the flowers a light breeze wafted their sweet fragrance up to me.  I was so entranced that I failed to notice a rabbit hole and nearly fell over; it’s not called Dawlish Warren for nothing.

Sea daffodils clearly do resemble the flowers that are such potent symbols of spring in this country, but it is the late summer flowering of the sea daffodil that is so disconcerting.  They are also plants of very hot climates.  The Dawlish Warren specimens failed to flower last year and there has been some speculation that with this year’s long, hot, dry summer the plants felt more at home.

 

 

Evening primrose at Dawlish Warren
evening primrose

 

Meadowsweet and purple loosestrife at Dawlish Warren
meadowsweet and purple loosestrife among the long thick rushy grass

 

Water mint at Dawlish Warren
water mint with common carder bee

 

Solitary bee on fleabane at Dawlish Warren
fleabane with solitary bee (possibly silvery leaf-cutter bee)

 

Marsh helleborine at Dawlish Warren
marsh helleborine

 

Autumn lady's tresses at Dawlish Warren
autumn lady’s tresses

 

Glasswort growing in the inner bay at Dawlish Warren
glasswort (marsh samphire)

 

Sea daffodil with pollinator at Dawlish Warren
sea daffodil with pollinator

 

Solitary bee on sea rocket at Dawlish Warren
solitary bee on sea rocket

 

A thug on the Lamb’s Ears

I walk through our local community garden (The Leechwell Garden) most days in summer just to have a look at the flowers and insects but I know that, if I am there late morning, the sound of children playing will brighten the air.  The older children, sometimes along with mum or dad reliving their youth, will be enjoying the fine new play area with its exciting slide.  The younger ones may be messing about on the watery edge of the stream that passes through the garden but it is the sand pit that really hits the spot.   Children love playing in the sand and I often see several family groups clustered about the sand pit; the only thing that seems to deter the children is heavy rain.  It’s a real tribute to the vision of the garden committee that they created something so popular.

Pair of wool carder bees
Male (left) and female wool-carder bees having a rest. One leaf has been well “carded”.

 

The flowers I come to see are across the other side of the garden and, for the past few weeks, I have been loitering near the old stone wall where there’s a large patch of the plant Lamb’s Ear (Stachys byzantina).  It covers the ground with a jumble of silvery-green, velvety leaves and sends up stout, silvery stems bearing clutches of smaller leaves and understated pink-purple flowers.  It’s a pleasant, restful sort of plant creating an old-style, cottage garden feeling but what goes on around these Lamb’s Ears in midsummer is far from restful.

From the middle of June, a dark, chunky bee can be seen patrolling the patch of silvery-green leaves and I spend more time than I should watching him.  Whereas most bees are gentle creatures keeping themselves to themselves, this one is a bit of a thug, oozing anger and aggression.  He is the male wool-carder bee (Anthidium manicatum), mostly black but with yellow markings along the sides of his abdomen, head and legs, reminiscent of the warpaint worn by native American tribes.  He is about the same length as a honeybee but much broader making him quite imposing as he moves quickly about the patch of Lamb’s Ear.  His movement is distinctive, he hovers then moves rapidly to a new spot, hovers, moves, all the time buzzing noisily.  It feels like he is looking for something.  And that’s exactly what he is doing, looking.  Should he spot another male wool-carder bee or a different insect on his patch, he will chase it away by flying directly at it.  I have seen him attack a bumblebee at least twice his size and knock it to the ground.  But, not only is he aggressive, he is armed; the rear of his abdomen sports five stout spines which he will use to injure or kill the intruding insects and there are reports of male wool-carder bees disabling honeybees who dared to feed from their patch.

All this aggressive energy is directed towards protecting the patch of Lamb’s Ear for himself and his harem, for now and then a female wool-carder bee will appear.  She looks very like the male, only a bit smaller; the wool-carder bee is one of the only species in this country where the male bee is larger than the female.  When the male sees her feeding from the flowers he will pounce and, without any preliminaries, mating will ensue. This is a vigorous but brief activity sometimes causing the flower stem to vibrate before the two disengage and go about their business again.  Unlike most solitary bees, where females mate once, wool-carder females undergo multiple matings so that, after a short time, our male will mate with the same female again and should a different female appear he will attempt to mate with her.  One valiant observer went to the trouble of watching an individual male wool-carder in his garden and reported that the bee mated sixteen times in one day.

This focus on the aggressive behaviour of the male wool-carder bee tends to obscure the fact that it is the female that does all the hard work of nest building and egg laying.  The wool-carder bee is a solitary species so that individual mated females build their nests alone, unlike the more familiar social honeybees and bumblebees.  Nesting occurs in preformed aerial cavities in dead wood, in walls or in hollow stems, including the tubes found in bee hotels.  Once she has identified a suitable site, the female strips or “cards” woolly fibrous material from plant leaves with her mandibles (hence the name wool-carder) and takes it back to her nest to line and plug the cavity (see the pictures below).  Lamb’s Ear leaves are a popular choice for “carding” but Great Mullein or Yarrow can also be used.  If you look carefully at the leaves of these plants you can sometimes see bare areas where she has been actively collecting fibres.  Within the nest, she lays eggs and equips them with a mixture of nectar and pollen.  The eggs develop in the nest where they stay until new bees emerge next summer and the whole cycle begins again.

So, if you have a patch of Lamb’s Ear in your garden take a look, there’s a good chance that wool-carder bees will be using it and you too can be enthralled by their antics.

Male wool carder bee
Male wool-carder bee – look at his spines.

 

Male wool carder bee in flight
Male wool-carder bee in flight

 

Anthidium manicatum mating pair
Wool-carder bee – mating pair

 

Wool carder bee collecting fibres
Female wool-carder bee collecting fibres

 

Wool carder bee gathering fibres together
Leaning back gathering fibres together

 

Wool carder bee flying off with fibres
Female wool-carder bee in flight with ball of fibres

 

Possible female anthidium
Female wool-carder bee

 

Male wool carder bee showing spines
Male wool-carder bee

 

Bumblebee on Lamb's Ear
A brave bumblebee feeding from the lamb’s ears